Repertoire
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- Published on Saturday, 19 November 2011 17:14
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Concert for guitar with orchestra:
* J. Rodrigo: Concierto de Aranjuez
* J. Rodrigo: Fantasia para un gentilhombre
* M. Castelnuovo-Tedesco: Concerto no. 1
* A. Vivaldi: Concerto in Re majeur
* F. Carulli: Petit concerto in E minor, op. 140
Renaissance period:
* J. Dowland: Earl of Essex ::: Fantasie ::: The king of Denmark
* A. de Mudarra: Fantasia
* G. Sanz: Canarios
Baroque period:
* J. S. Bach: Preludio, fuga e allegro, BWV 998
* J. S. Bach: Ciaccona in D minor
* J. S. Bach: Cello suite no. 1, BWV 1007
* Prelude
* Allemande
* Courante
* Sarabande
* Menuet I, II
* Gigue
* J. S. Bach: Cello suite no. 2, BWV 1008
* Prelude
* Allemande
* Courante
* Sarabande
* Menuet I,II
* Gigue
* J. S. Bach: Sonata 1, BWV 1001
* Adagio
* Fuga
* Siciliana
* Presto
* J. S. Bach: Partita II, BWV 1004
* Allemanda
* Corrente
* Sarabanda
* Giga
* J. S. Bach: Sonata III, BWV 1005
* Adagio
* Fuga
* Largo
* Allegro assai
* D. Scarlatti: Sonata K.208/L.238 ::: Sonata K.380 /L.23 ::: Sonata K.1/L.366
* J. S. Bach: Lautensuite no. 2 in A minor
* Prelude
* Fuge
* Sarabande
* Gigue
* Double
Classical period:
* M. Giuliani: Le Rossininane no. 3, op. 121
* F. Sor: Variations sur Marlborough s'en va t'en Guerre, Op. 28
* N. Paganini: Sonata
* Allegro risoluto
* Romanze
* Andantino variato
* M. Giuliani: Grande ouverture
* L. Legnani: Caprice no. 7, op. 20
* F. Sor: Variations on "O cara armonia" from Mozart's The magic flute
* M. Giuliani: Sonatine
* Andantino sostenuto
* Tempo di marcia
* Scherzo
* Allegro
* F. Sor: Fantasie no. 7, op. 30
* N. Coste: Etude no.6, op. 38
* F. Sor: The complete studies for guitar
Romantic period:
* F. Tárrega: La traviata ::: Capricho arabe ::: Recuerdos de la Alhambra
* M. LLobet: El testament Damelia ::: El noi de la mare
Music from Spanish composers:
* J. Turina: Sonata
* Lento
* Andante
* Allegro vivo
* J. Turina: Fandanguillo
* I. Albeniz: Asturias ::: Cadiz ::: Cataluna ::: Mallorca ::: Torre Bermeja ::: Rumores de la caleta
* F. M. Torroba: Sonatina
* Allegretto
* Andante
* Allegro
* M. de Falla: Omaggio per le Tombeau de Debussy
* E. Granados: Valses poeticos
* J. Rodrigo: Junto al Generalife
* J. Rodrigo: Tres piezas espanolas
* Fandango
* J. Rodrigo: Invocation et danse
* F. M. Torroba: La seguidilla ::: Madronos
* V. Asencio: Tango de la casada infiel
XX. Century music:
* M. M. Ponce: Sonata classica
* Allegro
* Andante
* Menuet
* Allegro
* M. Castelnuovo - Tedesco: Sonata, Omaggio a Boccherini
* Allegro con spirito
* Andantino, quasi canzone
* Tempo di minuetto
* Vivo et energico
* M. Castelnuovo-Tedesco: Capriccio diabolico
* M. M. Ponce: Sonatina meridional
* Campo
* Copla
* Fiesta
* M. M. Ponce: Sonata III
* Allegro moderato
* Chanson
* Allegro non troppo
* J. W. Duarte: Sonatina lirica
* Felice e con grazia
* Lento e poco mesto
* Giocoso e molto ritmico
* C. Domeniconi: Variations on an Anatolian Folksong
* N. Koškin: Elfs suite
* Allegretto grazisos
* Tempo di valse
* Marciale energico
* Andante
* Vivo
* Y. Yocoh: Sakura
* S. Rak: Voronež
* L. Brouwer: Un dia de Noviembre
* M. Castelnuovo - Tedesco: Tarantela
Modern music:
* C. Mourey: Sonata Appassionata - Hommage a Petar Culic
* Allegretto con fuoco
* Adagio molto cantabile
* Allegretto
* Presto
* H. W. Henze: Drei Tentos
* F. Martin: Quatre pieces breves
* Prelude
* Air
* Plainte
* Comme une gigue
* E. Wallen: Three Ships
* Sailing
* Brio
* Dark eye
* B. Britten: Nocturnal
Croatian composers:
* N. Milotti: Suita
* Moderato
* Allegro moderato
* Piu mosso
* T. Uhlik: Three pictures
* Allegro moderato
* Andante espressivo
* Allegro ben ritmico
* Ž. Brkanović: Suita Mediterana
* Jota
* Croatiana
* F. Parać: Music for the guitar
* I. Josipović: Amfore
* A. Klobučar: Sonata
* Allegro risoluto
* Largo
* Allegro scherzando
* B. Papandopulo: Three dances
* Allegretto vivace
* Moderato
* Allegro comodo
* S. Šulek: Tri trubadurske
* Sjeta
* Sonet
* Svečanost
* M. Miletić: Croatian suite
* Andante sostenuto
* Allegro
* Moderato
* M. Nardelli: Three folklore impressions
* Allegro moderato
* Moderato
* Allegro
South American music:
* A. Piazzolla: La muerte del angel ::: Primavera portena ::: Invierno porteno ::: Milonga del angel
* H. Villa - Lobos: Etude no. 1, 3, 7 and 11
* A. Lauro: Suite Venezolana
* Registro
* Danza negra
* Cancion
* Vals
* A. Barrios-Mangore: Julia Florida ::: El Ultimo tremolo (Una Limosnita por Amor de Dios) ::: Vals op. 8, no. 4 ::: Un Sueno en la Floresta ::: Romanza nr. 1 ::: Preludio en La menor
* A. Barrios-Mangore: La catedral
* Preludio
* Andante religioso
* Allegro solemne
* J. Morel: Danza Brasilera
* M. D. Pujol: Palermo ::: Verde alma ::: Preludio triston
* E. Gismonti: Aqua & Vinho
Press notes
«...during those 60 minutes of the concert, Petar was emitting charisma and it became absolutely clear why the most respectable music experts think he is one of the most prominent young guitar players in the world...»
Press notes
«... the audience showed admiration for each performed tone ...»
Press notes
Concierto de Aranjuez review:
«...Besides the skilled techique, the precise rhythm and the articulated expression exhibited in the first few beats of the first part, young guitarist also revealed a poetic note in his interpretation of Rodrigo's composition, which left an extremely strong impression on the listeners. In that sense, we should also point out his musical phrasing in the second part of the concert, Adagio. He approahed the interpretation of this work with knowledge and careful planning, along with the orchestra which was a reliable partner, as well as a great contributor to a more intimate expression...»
Press notes
«...Petar displayed all the qualities necessary for being a top world musician: impressive technical skills, unbelievable musicality, excellent tone, remarkable artistic impression, maturity in introducing different historic periods, as well as the artist's praiseworthy choice of the programme, which was diverse...»
Press notes
«...Petar Culic provided all the guitar and classical music lovers with a superior experience ...»
Press notes
«...if we were only able to listen, and not to see, we would probably never say that such beautiful and mature interpretations are the works of such a young musician...»
Press notes
«...Petar Čulić has proved to be an excellent guitar player. His interpretations are calm and stable, with extremely fine tonal articulation, which was especially obvious in his interpretations of J.S.Bach's Second Suita for Cello BWV 1008. technically skilled and beautiful quality-tones, as well as various dynamic and agog nuancungs reveal a talented and promising guitarist...»


